Turners
& Burners: The Folk Potters of North Carolina
by Charles Zug,
III
Foxfire
8 by Eliot Wigginton
(Editor), Margie Bennett (Contributor)
This book offers ethnographic insight
into the life and customs of "Southern Folk" within the
Appalachian region of the United States. This text offers detailed
information concerning the making of southern folk pottery; face
jugs, churns and roosters, homemade pug mills, ash glazes and the
ubiquitous groundhog kiln. A must for anyone interested in authentically
replicating the traditional pottery of the South.
Great
and Noble Jar: Traditional Stoneware of South Carolina. by
Cinda K. Baldwin
I
Made This Jar: The Life and Works of the Enslaved African-American
Potter, Dave
by Jill Beute Koverman
Originally published in 1998, in
conjunction with the "I made this jar..." exhibition at
the McKissick Museum of the University of South Carolina Museum
in Columbia, this book offers a collection of essays by various
experts that reveal information about the life and work of this
enigmatic and remarkable African-American slave potter, known only
as "Dave". He is best remembered for the poems he inscribed
on the surfaces of large alkaline glazed storage jars produced in
the Edgefield District of South Carolina from 1820 to 1863.
Pottery
Technical Information (Western Culture):
Ash Glazes
by Phil Rogers
A very informative technical book
on the ash glazing process, including chemical analysis of various
tree ashes, substitute formulas. The work offered as examples is
professionally executed and well photographed. This book offers
a solid introduction into ash glazed stoneware.
Wood-Fired
Stoneware and Porcelain by
Jack Troy
Out
of the Earth, into the Fire: A Course in Ceramic Materials for the
Studio Potter
by Mimi Obstler, et al
Pioneer
Pottery by
Michael Cardew & Seth Cardew
Midwest Book Review
First published 33 years ago by Michael Cardew, a respected
expert in British ceramics, Pioneer Pottery is a superbly presented
and classic work enhanced with excellent black/white illustrations
and photography (including a new color section of previously unshown
works), and a new introduction by the author's son. An extremely
solid reference to the art of pottery, from the chemical composition
of pottery clay to sculpting, firing, and painting, Pioneer Pottery
is a first-rate guide and is strongly recommended reading for students
of the art, history, and joy of pottery.
Ash
Glazes by Robert Tichane
The
Ceramic Glaze Handbook by Mark Burleson
Clay
and Glazes for the Potter by Daniel, Rhodes
The
Kiln Book: Materials, Specifications & Construction by
Frederick L. Olsen
Pottery
Technical Information (Eastern Culture):
Inside
Japanese Ceramics: A Primer of Materials, Techniques, and Traditions
by Richard L. Wilson
Midwest Book Review
Art students will appreciate this first hands-on introduction to
Japanese ceramics traditions and production. This presents the basics,
from setting up a workshop and forming pots to understanding both
the techniques of and philosophy behind modern Japanese ceramics
approaches. Plenty of step-by-step black and white photos do a fine
job of imparting techniques.
Chinese Glazes: Their Origins,
Chemistry and Recreation by
Nigel Wood
Eastern/Western
Philosophy:
Wabi-Sabi: for Artists, Designers,
Poets & Philosophers by
Leonard Koren
This short book calls us as Americans
to reconsider our ideals of perfection. Additionally, it is helpful
in expanding the readers understanding of the "art of the imperfect."
Most importantly, it offers opportunities for the artists/potters
to discover new sources of inspiration in the world.
Book Description
This extended essay in words and pictures universalizes the Japanese
traditional rustic aesthetic of wabi-sabi that was developed over
hundreds of years by Zen priests and teamasters. Wabi-sabi functions
today as a prototypical "complete" aesthetic, nature-based
and "soft" in contrast to the "hard" digital
aesthetics of modern computer-age design. As such, it offers designers
and other creative people a wealth of insight into materials and
process.
The
Unknown Craftsman: A Japanese Insight into Beauty by Soetsu
Yanagi, et al
This is the veritable "bible"
for Mingei influenced potters everywhere. In this book Yanagi's
outlines the importance of "art for the people, by the people"
and provides examples from Japanese, Chinese and Korean folk culture.
Further defined are Yanagi's concepts of beauty, craftsmanship,
anti-bourgeois art and the contributions to egoless, anonymous craftsperson.
As an antithetical to much of what was established in American Art
during the two decades, this text is must for anyone creating pottery
influenced by the Eastern folk functional tradition or otherwise
seeking "truth" to the materials in artmaking.
Potters
Book by Bernard
Leach
The Potter's
Art (Material Culture) by
Henry Glassie
This is my number one recommendation
for those familiar with the idea outlined in the The Unknown
Craftsman and Leach's Potter Book. I believe
that Henry Glassie holds the key to unlocking the future of contemporary
thought regarding working with craft materials in industrial, technology
rich age. His parallel those of mingei and the philosophies of William
Morris and Seotsu Yanagi. <click
here for an online review>
Ceramic
Historical (Eastern Culture):
Shigaraki:
Potter's Valley by Louise Allison Cort
Hamada
Potter by Bernard
Leach, et al
Ceramic
Historical (Western Culture):
Ceramics
in America by Robert
Hunter (Editor)
Description:
A full-color annual publication that examines the role of historical
ceramics in the American context. Ceramics in America is
an interdisciplinary journal intended for collectors, historical
archaeologists, curators, decorative arts students, social historians,
and contemporary studio potters. In addition to heavily-illustrated
articles by noted American and British ceramic scholars and a private
American collector profile, each annual issue contains New Discoveries
edited by Merry A. Outlaw, Book Reviews and a Checklist of Articles
and Books, edited by Amy C. Earls, and an Index.
Art
Making and Theory:
But
Is It Art?: An Introduction to Art Theory by Cynthia A.
Freeland
Why Art Cannot Be Taught: A Handbook
for Art Students by James Elkins
Flow:
The Psychology of Optimal Experience by Mihaly Csikszentmihalyi