Recommended Reading List & Selected Bibliography

Southern Folk Pottery:

coverBrothers in Clay: The Story of Georgia Folk Pottery by John A. Burrison

This text outlines the history of Georgia's eight major pottery-producing centers and provides genealogies of the pottery making families. Additionally, it offers detailed explanations of the turning, glazing, and firing processes of the folk potteries in the State and provides the characteristics of the wares.

coverRaised in Clay: The Southern Pottery Tradition by Nancy Sweezy

Turners & Burners: The Folk Potters of North Carolina
by Charles Zug, III

Foxfire 8 by Eliot Wigginton (Editor), Margie Bennett (Contributor)

This book offers ethnographic insight into the life and customs of "Southern Folk" within the Appalachian region of the United States. This text offers detailed information concerning the making of southern folk pottery; face jugs, churns and roosters, homemade pug mills, ash glazes and the ubiquitous groundhog kiln. A must for anyone interested in authentically replicating the traditional pottery of the South.

Great and Noble Jar: Traditional Stoneware of South Carolina. by Cinda K. Baldwin

I Made This Jar: The Life and Works of the Enslaved African-American Potter, Dave
by Jill Beute Koverman

Originally published in 1998, in conjunction with the "I made this jar..." exhibition at the McKissick Museum of the University of South Carolina Museum in Columbia, this book offers a collection of essays by various experts that reveal information about the life and work of this enigmatic and remarkable African-American slave potter, known only as "Dave". He is best remembered for the poems he inscribed on the surfaces of large alkaline glazed storage jars produced in the Edgefield District of South Carolina from 1820 to 1863.

 

Pottery Technical Information (Western Culture):

Ash Glazes by Phil Rogers

A very informative technical book on the ash glazing process, including chemical analysis of various tree ashes, substitute formulas. The work offered as examples is professionally executed and well photographed. This book offers a solid introduction into ash glazed stoneware.

Wood-Fired Stoneware and Porcelain by Jack Troy

Out of the Earth, into the Fire: A Course in Ceramic Materials for the Studio Potter
by Mimi Obstler, et al

Pioneer Pottery by Michael Cardew & Seth Cardew

Midwest Book Review
First published 33 years ago by Michael Cardew, a respected expert in British ceramics, Pioneer Pottery is a superbly presented and classic work enhanced with excellent black/white illustrations and photography (including a new color section of previously unshown works), and a new introduction by the author's son. An extremely solid reference to the art of pottery, from the chemical composition of pottery clay to sculpting, firing, and painting, Pioneer Pottery is a first-rate guide and is strongly recommended reading for students of the art, history, and joy of pottery.

coverAsh Glazes by Robert Tichane

coverThe Ceramic Glaze Handbook by Mark Burleson

coverClay and Glazes for the Potter by Daniel, Rhodes

The Kiln Book: Materials, Specifications & Construction by Frederick L. Olsen

 

Pottery Technical Information (Eastern Culture):

Inside Japanese Ceramics: A Primer of Materials, Techniques, and Traditions
by Richard L. Wilson

Midwest Book Review
Art students will appreciate this first hands-on introduction to Japanese ceramics traditions and production. This presents the basics, from setting up a workshop and forming pots to understanding both the techniques of and philosophy behind modern Japanese ceramics approaches. Plenty of step-by-step black and white photos do a fine job of imparting techniques.

cover Chinese Glazes: Their Origins, Chemistry and Recreation by Nigel Wood

 

Eastern/Western Philosophy:

cover Wabi-Sabi: for Artists, Designers, Poets & Philosophers by Leonard Koren

This short book calls us as Americans to reconsider our ideals of perfection. Additionally, it is helpful in expanding the readers understanding of the "art of the imperfect." Most importantly, it offers opportunities for the artists/potters to discover new sources of inspiration in the world.

Book Description
This extended essay in words and pictures universalizes the Japanese traditional rustic aesthetic of wabi-sabi that was developed over hundreds of years by Zen priests and teamasters. Wabi-sabi functions today as a prototypical "complete" aesthetic, nature-based and "soft" in contrast to the "hard" digital aesthetics of modern computer-age design. As such, it offers designers and other creative people a wealth of insight into materials and process.

coverThe Unknown Craftsman: A Japanese Insight into Beauty by Soetsu Yanagi, et al

This is the veritable "bible" for Mingei influenced potters everywhere. In this book Yanagi's outlines the importance of "art for the people, by the people" and provides examples from Japanese, Chinese and Korean folk culture. Further defined are Yanagi's concepts of beauty, craftsmanship, anti-bourgeois art and the contributions to egoless, anonymous craftsperson. As an antithetical to much of what was established in American Art during the two decades, this text is must for anyone creating pottery influenced by the Eastern folk functional tradition or otherwise seeking "truth" to the materials in artmaking.

Potters Book by Bernard Leach

The Potter's Art (Material Culture) by Henry Glassie

This is my number one recommendation for those familiar with the idea outlined in the The Unknown Craftsman and Leach's Potter Book. I believe that Henry Glassie holds the key to unlocking the future of contemporary thought regarding working with craft materials in industrial, technology rich age. His parallel those of mingei and the philosophies of William Morris and Seotsu Yanagi. <click here for an online review>

Ceramic Historical (Eastern Culture):

coverShigaraki: Potter's Valley by Louise Allison Cort

Hamada Potter by Bernard Leach, et al

 

Ceramic Historical (Western Culture):


coverCeramics in America by Robert Hunter (Editor)

Description:

A full-color annual publication that examines the role of historical ceramics in the American context. Ceramics in America is an interdisciplinary journal intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary studio potters. In addition to heavily-illustrated articles by noted American and British ceramic scholars and a private American collector profile, each annual issue contains New Discoveries edited by Merry A. Outlaw, Book Reviews and a Checklist of Articles and Books, edited by Amy C. Earls, and an Index.

 

Art Making and Theory:

coverBut Is It Art?: An Introduction to Art Theory by Cynthia A. Freeland

coverWhy Art Cannot Be Taught: A Handbook for Art Students by James Elkins

coverFlow: The Psychology of Optimal Experience by Mihaly Csikszentmihalyi